LIZ VAN PAY

the ramblings of a music journalist and nearly-published author.

Archives: Fall Out Boy show review.

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photo by liz van pay

From the diehard fans littering The Rave’s parking lot and sidewalks before the doors opened to the lucky ones who found themselves crushed against the barriers of the stage in the Eagles Ballroom, Fall Out Boy’s ‘Believers Never Die, Part Deux’ tour brought equal parts energy and entertainment to the stage, from the beginning chords to the final shrill screams of the fans who couldn’t get enough.

Hey Monday, Metro Station, All Time Low and Cobra Starship served as the sold out show’s openers, and complemented each other as the perfect segue into the headline act. Hey Monday’s energetic brand of female-fronted pop punk warmed up an already excited crowd for not only the remaining bands, but for their headline show back at the Rave on June 24th.  Lead singer Cassadee Pope ran and jumped around the stage as if she was on a pogo stick, and truly drew the crowd in and served as the perfect beginning to a show whose openers made the show’s headliners look like amateurs. From Metro Station’s original “Shake It” to All Time Low’s cover of Blink-182’s “Dammit”, each and every one of the show’s openers had something to say, and each and every ear in the room heard them on Saturday, May 16th, 2009. Cobra Starship front man Gabe Saporta took a few minutes during a lull in the band’s set to “thank each and every person in the room for allowing him to make music and have fun with his friends”, and “show that if you want to do what you love, there will always be people to support you”, prior to launching into the song “Kiss My Sass” – an inspirational anecdote from the seemingly fun-seeking band who was responsible for the theme song from the 2006 film Snakes on a Plane.

Since Fall Out Boy’s last trip to Milwaukee brought them to the U.S. Cellular Arena, it’s quite obvious that the Chicago native quartet have ‘made it’. From the large video screens prefacing their 90-minute set with footage of riots and the band all dressed as politicians, it was clear that a typically fun loving pop-punk band had something to say, and they dressed the part from the word ‘go’. Their set began with “Disloyal Order of Water Buffaloes”, and continued through songs from their newest release, 2008’s Folie A Deux, through their catalog and including singles “Dance, Dance” and “Sugar We’re Going Down”. By the end of the set, the band had foregone their staunch suits and donned more comfortable stage clothing, but had seemingly forgotten the high-energy shows that many fans are used to seeing, to the dismay of some as the band stood in their spaces, not running around as their openers had. Hey Monday’s Cassadee Pope came out to lend some assistance toward the end of the set, and the band also pumped it up with its’ cover of Michael Jackson’s “Beat It”, which served as a saving grace and truly ended the set on a positive note, with the show’s patrons screaming the lyrics of each and every song back at them ten times louder than the one before it.

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Written by Liz Van Pay

August 3, 2010 at 4:26 pm

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